Ros Boisier is an artist, editor, and writer specializing in photography and photobooks. She co-directs the publishing house Muga and the online platform LUR, dedicated to the promotion and appreciation of contemporary photography. Since 2025, she has been part of Cómo ser fotógrafa, an international agency that highlights the work and ideas of women in the field of photography. Her work has been exhibited in Argentina, Chile, Ivory Coast, Spain, France, Poland, and Switzerland.

PhD candidate in Contemporary Art Research at the University of the Basque Country, she holds a Master’s degree in Art Production and Research from the University of Granada, a Bachelor’s degree in Audiovisual Communication from Universidad Mayor, and a Diploma in Photography from the Pontificia Universidad Católica de Chile.

She has furthered her education at various international institutions, including the International School of Film and Television in San Antonio de los Baños (Cuba), where she took the documentary filmmaking workshop with filmmaker Belkis Vega (2013); the photographic creation and production workshop led by photographer Adriana Lestido in Valparaíso (Chile, 2014); and the course Creativity and Strategies in Contemporary Photography with Javier Vallhonrat, National Photography Prize winner, at EFTI (International Center of Photography and Film, Madrid, 2017), among others.

She has received support from Chile’s Ministry of Cultures, the Arts and Heritage on more than fifteen occasions to develop training, circulation, and research projects in Chile, Cuba, Spain, and Portugal. Her artistic projects Lo elevado profundo, Inside, and Muniellos are part of the exhibition circuit of the visual arts dissemination program Asturies, Cultura en Rede, promoted by the Department of Culture of the Government of the Principality of Asturias.

Her artistic practice addresses the contemporary challenges faced by human beings in contexts of uncertainty, displacement, and vulnerability through photography, audiovisual media, and writing. She employs strategies of estrangement, ambiguity, and fragmentation to explore the intimate, the ephemeral, and the collective.

She is the author of the photobooks Inside (Muga / Ediciones Posibles, 2024) and Pérdida (Muga / Fluq, 2015), as well as the director of the research project on the reading experience of photobooks that led to the publication On Visual Discourses, Sequences, and Photobooks (Muga, 2019).

Inside was a finalist for the Best Photography Book of the Year Award (Creation category) at the PHotoEspaña 2024 festival and has been included in exhibitions such as The Best Photography Books of the Year (Madrid), Photobooks from Latin America at FOTOFESTIWAL 2024 (Łódź, Poland), and Latin American Printed Constellation (Lugano, Switzerland).

Her course Editorial Strategies in Photobooks, which she has co-taught with editor Leo Simoes since 2019, has been offered at festivals, art centers, universities, and photography schools in Argentina, Chile, Spain, and Mexico.

Her work has been published and reviewed in media outlets such as El País, El Correo, Gara, Deia, El Diario Austral de Temuco, and the British Journal of Photography.